Post by Guest21 on Jun 14, 2007 21:25:34 GMT 1
Ill-tempered and brilliant Lauryn Hill makes show in SP
In this 5ª fair (14/6) at night, the North American singer Lauryn Hill disembarks United Nations in the Tone Brazil, in São Paulo. Since the autumn of 1998, when it launched the celebrated record “Miseducation of Lauryn Hill”, its coming is waited with anxiety this way. It arrived e last week, in Saturday, estreou in Glad (196 kilometers of Victory, ES), in show for about 30 a thousand people, according to calculations of the organization.
It sang during 1h40, and part of the auditorium dispersed before the end, because Lauryn centered fire in a repertoire of new musics, unknown. But in the 30 final minutes, hits paraded, generously, of “Just Like Water” even for its reinterpretação of “Killing me Softly” (Roberta Flack), recorded previously for Aretha Franklin. Today Lauryn would sing in Porto Alegre. In Saturday (16), it is the time of Rio De Janeiro (Alive River). Before the presentation in the Espirito Santo, between fifth and Saturday, Lauryn was in Rio De Janeiro, where it assayed with its band in the Gegê studio Productions, of Gilbert Gil, in the Road of the Topsail.
In the days where it deprived of the studio of Gilbert Gil in Rio Lauryn refused to receive it the proper singer, who also assayed in the large house - and also he refused interviews to the “National Periodical” and the “Fantastic one”, from the Net Globe, that had arrived to mobilize its teams behind it. Lauryn argues that it does not like conglomerated them the press (also costuma not to speak to NBC and CBS, in the United States).
Certain that Lauryn, later that if gave account of that its host was the proper minister of the Culture, remembered the writing that Gil only made of songs of its father-in-law, Bob Marley, “Kaya N' Gan Daya” (2001), and praised the arrangements. “He is reggae to the Brazilian fashion. Reggae that I also make I am not jamaicano, is American. Nobody obtains to make reggae as in Jamaica”, it affirmed.
When passing for the Slum quarter of the Rocinha, it still turnê compelled the agents of its to change it of hotel - it was housed in the Sheraton Barra of the Tijuca, but it only said that there it was place of “people of embassies and consuls, bundões”. It was to take up quarters in the Sheraton of the Beach of the Vidigal. In the sunday, in return to the River, it seted an assay in one of the halls of the hotel.
“It is ill-tempered and brilliant”, she said one of the producers that follow it. “It is as if it was Nina Simone of 30 years.” Lauryn assays exhaustingly with its band before each show, and is perfeccionista how much to the sounds that only show in the spectacle - of keyboards, brought 16 instruments of the United States for turnê
Lauryn contracted filming teams to register its turnê for the Country, that studies to transform into a DVD. She is arredia, but also generous. In the show in the Espirito Santo, to if giving account of that she had a group, more to the front, that color wise person all the letters, it ordered that the fans were directed to the dressing-room. She took off photos with all and she talked.
Lauryn travels for Brazil of private airplane and takes tiracolo camareira, dressmaker and maquiadora. The husband, Rohan Marley, and the four children had not come. For land, two carts take equipment of palco and illumination (and an extra truck only for the clothes of the singer, that had come in 40 volumes of the United States). The great search for the show in São Paulo took the organization to open an extra date. Although the salty price of the ingressions (between R$ 200, track, and R$ 360, berth), the trend according to organization, is two full houses.
Lauryn Hill has 32 years. In interview to the State agency, it it counted as it is structuralizing its new show. “I have a new band, and my artistic director is Kevin Choice, also tecladista with which I bolei an entirely new concept. Each time that we find people new, we create new sounds and also we touch new songs. Beyond Kevin Choice, we have Michael Blankenship in another keyboard, and with this we are enabled to also reproduce all those sounds vintage of the years 70 and sounds more contemporaries. We also have a DJ, a percussionista, a baterista, a stock exchange operator, a guitarist, a trompetista, a saxofonista and four singers of support.”
In this 5ª fair (14/6) at night, the North American singer Lauryn Hill disembarks United Nations in the Tone Brazil, in São Paulo. Since the autumn of 1998, when it launched the celebrated record “Miseducation of Lauryn Hill”, its coming is waited with anxiety this way. It arrived e last week, in Saturday, estreou in Glad (196 kilometers of Victory, ES), in show for about 30 a thousand people, according to calculations of the organization.
It sang during 1h40, and part of the auditorium dispersed before the end, because Lauryn centered fire in a repertoire of new musics, unknown. But in the 30 final minutes, hits paraded, generously, of “Just Like Water” even for its reinterpretação of “Killing me Softly” (Roberta Flack), recorded previously for Aretha Franklin. Today Lauryn would sing in Porto Alegre. In Saturday (16), it is the time of Rio De Janeiro (Alive River). Before the presentation in the Espirito Santo, between fifth and Saturday, Lauryn was in Rio De Janeiro, where it assayed with its band in the Gegê studio Productions, of Gilbert Gil, in the Road of the Topsail.
In the days where it deprived of the studio of Gilbert Gil in Rio Lauryn refused to receive it the proper singer, who also assayed in the large house - and also he refused interviews to the “National Periodical” and the “Fantastic one”, from the Net Globe, that had arrived to mobilize its teams behind it. Lauryn argues that it does not like conglomerated them the press (also costuma not to speak to NBC and CBS, in the United States).
Certain that Lauryn, later that if gave account of that its host was the proper minister of the Culture, remembered the writing that Gil only made of songs of its father-in-law, Bob Marley, “Kaya N' Gan Daya” (2001), and praised the arrangements. “He is reggae to the Brazilian fashion. Reggae that I also make I am not jamaicano, is American. Nobody obtains to make reggae as in Jamaica”, it affirmed.
When passing for the Slum quarter of the Rocinha, it still turnê compelled the agents of its to change it of hotel - it was housed in the Sheraton Barra of the Tijuca, but it only said that there it was place of “people of embassies and consuls, bundões”. It was to take up quarters in the Sheraton of the Beach of the Vidigal. In the sunday, in return to the River, it seted an assay in one of the halls of the hotel.
“It is ill-tempered and brilliant”, she said one of the producers that follow it. “It is as if it was Nina Simone of 30 years.” Lauryn assays exhaustingly with its band before each show, and is perfeccionista how much to the sounds that only show in the spectacle - of keyboards, brought 16 instruments of the United States for turnê
Lauryn contracted filming teams to register its turnê for the Country, that studies to transform into a DVD. She is arredia, but also generous. In the show in the Espirito Santo, to if giving account of that she had a group, more to the front, that color wise person all the letters, it ordered that the fans were directed to the dressing-room. She took off photos with all and she talked.
Lauryn travels for Brazil of private airplane and takes tiracolo camareira, dressmaker and maquiadora. The husband, Rohan Marley, and the four children had not come. For land, two carts take equipment of palco and illumination (and an extra truck only for the clothes of the singer, that had come in 40 volumes of the United States). The great search for the show in São Paulo took the organization to open an extra date. Although the salty price of the ingressions (between R$ 200, track, and R$ 360, berth), the trend according to organization, is two full houses.
Lauryn Hill has 32 years. In interview to the State agency, it it counted as it is structuralizing its new show. “I have a new band, and my artistic director is Kevin Choice, also tecladista with which I bolei an entirely new concept. Each time that we find people new, we create new sounds and also we touch new songs. Beyond Kevin Choice, we have Michael Blankenship in another keyboard, and with this we are enabled to also reproduce all those sounds vintage of the years 70 and sounds more contemporaries. We also have a DJ, a percussionista, a baterista, a stock exchange operator, a guitarist, a trompetista, a saxofonista and four singers of support.”
